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mercredi 30 mai 2012
How Stan Lee Became a Social Media Superhero "EXCLUSIVE"
by
Excelsior! At 89 years-old, comic book legend Stan Lee shows no signs
of slowing down. In fact, the creative force behind iconic Marvel
characters, including Spiderman, Iron Man and the Incredible Hulk, is
more digitally connected than many whippersnappers half his age.
Lee will launch his own comic convention — Stan Lee’s Comikaze, Presented by POW! Entertainment — in September. The event is partnering with the location-based social engagement app Buzzmob to provide exclusive content to fans at the show, as well as connect those unable to attend.
Mashable recently sat down via Skype video chat with the Generalissimo himself, as well as with Comikaze CEO Regina Carpinelli. We talked comics, tech and social media — areas in which Lee also excels.
On Twitter, he’s amassed about 280,000 followers and tweets regularly from his home and office computers. (“I wear out a keyboard a week,” says @therealstanlee. “That’s how hard I hit them!”) He also just launched a new YouTube channel, Stan Lee’s World of Heroes.
Buzzmob, meanwhile, will give Comikaze a sophisticated level of social and mobile interaction. The app functions as a mini-social network for fans in attendance, letting them see who else is nearby and what else is going on at the convention, while simultaneously allowing Lee and other organizers to send out timely contests and notifications. But that’s not all — comic book fans who can’t make it to Los Angeles for the show can check in for a digital experience.
“It doesn’t matter if you live in Cambodia or Temecula,” says Carpinelli. “We want everyone to be a part of the show.”
Read on to see why Lee and Carpinelli partnered up for Comikaze, how Lee practically invented social media (you’ll be surprised), and his thoughts on how technology has changed the world of comic books. Also, stay tuned for one more upcoming treat — the entire Skype conversation in video form.
So what’s your first convention going to be like?
Lee: It’s going to be fan-tastic! I’ve always wanted to have my expo, my own comic con. But that’s not my business — I don’t know how to run them. Then I met Regina! She said, ‘Stan, how would you like to be a part of Comikaze?’ I had been to the first Comikaze, and it was wonderful! So I said, ‘By all means.’ Not only am I part of it, she put my name in front! It’s now Stan Lee’s Comikaze.
I’m real excited about this — it’s going to be a fan convention. The fans are everything, they’re going to be thrilled, they’re going to see new things they haven’t seen before. It’s going to just be the most fun convention there has ever been.
Carpinelli: And tickets are only $15! It’s jam-packed with amazing guests. Stan invited Todd McFarlane, and Elvira’s coming and doing all kinds of interactive content…
Lee: The Mistress of the Dark!
Carpinelli: We’re all about our fans and doing something awesome for our community. Eventually we’re going to take over the world.
Lee: Why haven’t we already?
What’s Buzzmob’s social integration going to bring to the table? How’s that going to help Comikaze?
Lee: We’re going to accommodate all the people who can’t make it, and we’re going to be in touch with them on the web! We’re going to have all sorts of things on the web for people to participate. I’m going to let Regina talk about it because, for one thing, she’s prettier than than I am, and my throat is getting hoarse.
There are also two websites you want to go on. One is ComikazeExpo.com. Then Stan has an amazing site called TheRealStanLee.com. Stan is such a tastemaker, and he’s always at the front of technology.
Lee: No, no — she didn’t say I’m wearing a pacemaker. I am a pacemaker!
Carpinelli: A tastemaker!
Lee: Oh — a tastemaker. Okay. Well, I’m a pacemaker, also.
That seems like a pretty cutting edge approach for a comic convention. Why did you guys feel like it was so important to introduce that mobile, social element?
Carpinelli: Keeping up with technology is really important. Anyone can have a regular convention. We want to change how conventions are made.
Lee: We want to change how the world goes on! See, we can’t bear the thought of one human being missing out on all this wonderment. That’s why, through Buzzmob, if we can contact everyone in the world through the web and let them be part of all these great things we’re doing, its almost as if we’re performing a great public service, you see.
I think we shouldn’t have to pay taxes, because what we do is for the good of all mankind. I’d say more, but I’m getting all choked up emotionally.
Carpinelli: I keep trying to get Stan to run for president.
Lee: How about King of the World? President seems so local.
Was it easy or hard for you to get into Twitter, and why do you keep up with it so diligently? Not every 89-year-old man is doing that.
Lee: I always try to be out there somehow. One of my big fears is that somebody anywhere in the world might forget me, and I must never let that happen.
Twitter was easy to get into. When I was doing the comics, I had a column called “Stan’s Soapbox” that ran every issue of every book, and I would just talk about anything I felt like — of course, I made it incredibly entertaining and knowledgable for the readers. But Twitter is the same thing.
Twitter’s only the beginning of your social media expertise, though. What’s up with your new YouTube channel, Stan Lee’s World of Heroes?
Carpinelli: What is going on is they have all these fantastic, fabulous shows. There’s Stan’s Rants, where Stan complains about things — and it’s amazing. There’s Cocktails With Stan, where he sits with Jenna Busch, and they have drinks and interview these amazing people.
Lee: But we never drink too much! For our younger viewers out there, one sip and that’s all we have.
Carpinelli: There’s also an awesome show called Adrianne Curry’s Super Fans. She’s this beautiful model, reality show host — and huge, giant nerd. You can send in your videos and tell Adrianne how nerdy you are and why you are the biggest super fan, then she shows up at your house and looks at all your nerd stuff.
Lee: Somehow I feel like the conversation is never as interesting when it’s not about me.
Carpinelli: Elvira also launched an interactive web series with us, called Elvira’s Horror Hunt. Amateur filmmakers can send in their horror films. The winner gets flown out to L.A. and gets a screening of their movie with a red carpet premier at the Vista Theatre. The next day, they’ll be a guest at Stan Lee’s Comikaze.
Lee: I hope everyone is taking copious notes. There may be an exam!
Here’s a question from our reader, wdeg: “You’ve had an incredible career and could easily be kicking back on an island somewhere enjoying the fruits of your labor. So, why aren’t you retired? What keeps you getting up motivated every morning?”
Carpinelli: Stan’s a giver.
Lee: That’s right. And I love the fans and want them to know I’m always there for them. See, most guys say, ‘I can’t wait to retire so I can do what I really want to do’ — play golf and so forth. But I’m already doing what I really want to do! Please don’t make me have to spend time on the golf course. That would be like a prison sentence!
This one’s from another Mashable reader and fan of yours, Manny Redruello: “If Twitter and social media had been around during the early stages of your career, how do you think you would have used it then?”
Lee: Well, I didn’t have Twitter, but I had my column and we had letters pages in the comic books, where readers would write letters. You know the reason I wear glasses now? Because I strained my eyes! I read every damn letter and answered as many as I could. I was writing to them and they were writing to me, and it felt like I had a million friends all over. So that was my Twitter in those days.
And I never thought of them as fans — they were friends. Everyone who writes to us and tweets to us now — these are friends of ours, and you’ve got to be good to your friends. You can’t be on the golf course when your friends need you.
Carpinelli: It’s amazing to see how gracious he is to his fans, and how they respond. I’ve seen people cry when they meet him. It’s fantastic.
Lee: You notice when people say nice things like that, I never interrupt? I let her talk and talk. About people crying to meet me, though — I hope that isn’t taken the wrong way.
Carpinelli: They’re tears of joy!
Lee: When it comes to stories, no change at all. We could write a good story today that was like an old story — there’s no difference. But some of the comic books have a whole new look now — they look like beautifully illustrated tablets. They look like paintings, rather than just regular comic book drawings, and it’s the addition of the computer coloring and computer lettering.
There are some purists who feel that we ought to go back to the old comics, that they were more like real comics. But everything changes. Everything advances. To me, most of the changes are improvements. We can’t live in a way where we say, ‘I like the old stuff better!’
It’s impossible to go back to yesterday — you have to keep moving along with today and tomorrow. To me, what makes the arts so much fun is that they keep changing with the times….Hey, that was a great speech!
Thumbnail image courtesy Gage Skidmore, Flickr.
Lee will launch his own comic convention — Stan Lee’s Comikaze, Presented by POW! Entertainment — in September. The event is partnering with the location-based social engagement app Buzzmob to provide exclusive content to fans at the show, as well as connect those unable to attend.
Mashable recently sat down via Skype video chat with the Generalissimo himself, as well as with Comikaze CEO Regina Carpinelli. We talked comics, tech and social media — areas in which Lee also excels.
On Twitter, he’s amassed about 280,000 followers and tweets regularly from his home and office computers. (“I wear out a keyboard a week,” says @therealstanlee. “That’s how hard I hit them!”) He also just launched a new YouTube channel, Stan Lee’s World of Heroes.
Buzzmob, meanwhile, will give Comikaze a sophisticated level of social and mobile interaction. The app functions as a mini-social network for fans in attendance, letting them see who else is nearby and what else is going on at the convention, while simultaneously allowing Lee and other organizers to send out timely contests and notifications. But that’s not all — comic book fans who can’t make it to Los Angeles for the show can check in for a digital experience.
“It doesn’t matter if you live in Cambodia or Temecula,” says Carpinelli. “We want everyone to be a part of the show.”
Read on to see why Lee and Carpinelli partnered up for Comikaze, how Lee practically invented social media (you’ll be surprised), and his thoughts on how technology has changed the world of comic books. Also, stay tuned for one more upcoming treat — the entire Skype conversation in video form.
Q&A With Stan Lee
So what’s your first convention going to be like?
Lee: It’s going to be fan-tastic! I’ve always wanted to have my expo, my own comic con. But that’s not my business — I don’t know how to run them. Then I met Regina! She said, ‘Stan, how would you like to be a part of Comikaze?’ I had been to the first Comikaze, and it was wonderful! So I said, ‘By all means.’ Not only am I part of it, she put my name in front! It’s now Stan Lee’s Comikaze.
I’m real excited about this — it’s going to be a fan convention. The fans are everything, they’re going to be thrilled, they’re going to see new things they haven’t seen before. It’s going to just be the most fun convention there has ever been.
Carpinelli: And tickets are only $15! It’s jam-packed with amazing guests. Stan invited Todd McFarlane, and Elvira’s coming and doing all kinds of interactive content…
Lee: The Mistress of the Dark!
Carpinelli: We’re all about our fans and doing something awesome for our community. Eventually we’re going to take over the world.
Lee: Why haven’t we already?
What’s Buzzmob’s social integration going to bring to the table? How’s that going to help Comikaze?
Lee: We’re going to accommodate all the people who can’t make it, and we’re going to be in touch with them on the web! We’re going to have all sorts of things on the web for people to participate. I’m going to let Regina talk about it because, for one thing, she’s prettier than than I am, and my throat is getting hoarse.
“Keeping
up with technology is really important. Anyone can have a regular
convention. We want to change how conventions are made.”
Carpinelli: If you’re at the show as an attendee and
you log in, you get exclusive content: downloads, contests with magical
gifts and prizes. If you’re in a panel room, but there’s something else
going on, you could still be following that on your phone. But the
greatest thing is, if you can’t be at the show because you live far
away, you can still log in and get special stuff and see videos and
photos. It’s just like being at the show — but on your phone. There are also two websites you want to go on. One is ComikazeExpo.com. Then Stan has an amazing site called TheRealStanLee.com. Stan is such a tastemaker, and he’s always at the front of technology.
Lee: No, no — she didn’t say I’m wearing a pacemaker. I am a pacemaker!
Carpinelli: A tastemaker!
Lee: Oh — a tastemaker. Okay. Well, I’m a pacemaker, also.
That seems like a pretty cutting edge approach for a comic convention. Why did you guys feel like it was so important to introduce that mobile, social element?
Carpinelli: Keeping up with technology is really important. Anyone can have a regular convention. We want to change how conventions are made.
Lee: We want to change how the world goes on! See, we can’t bear the thought of one human being missing out on all this wonderment. That’s why, through Buzzmob, if we can contact everyone in the world through the web and let them be part of all these great things we’re doing, its almost as if we’re performing a great public service, you see.
I think we shouldn’t have to pay taxes, because what we do is for the good of all mankind. I’d say more, but I’m getting all choked up emotionally.
Carpinelli: I keep trying to get Stan to run for president.
Lee: How about King of the World? President seems so local.
Was it easy or hard for you to get into Twitter, and why do you keep up with it so diligently? Not every 89-year-old man is doing that.
Lee: I always try to be out there somehow. One of my big fears is that somebody anywhere in the world might forget me, and I must never let that happen.
Twitter was easy to get into. When I was doing the comics, I had a column called “Stan’s Soapbox” that ran every issue of every book, and I would just talk about anything I felt like — of course, I made it incredibly entertaining and knowledgable for the readers. But Twitter is the same thing.
Twitter’s only the beginning of your social media expertise, though. What’s up with your new YouTube channel, Stan Lee’s World of Heroes?
Carpinelli: What is going on is they have all these fantastic, fabulous shows. There’s Stan’s Rants, where Stan complains about things — and it’s amazing. There’s Cocktails With Stan, where he sits with Jenna Busch, and they have drinks and interview these amazing people.
Lee: But we never drink too much! For our younger viewers out there, one sip and that’s all we have.
Carpinelli: There’s also an awesome show called Adrianne Curry’s Super Fans. She’s this beautiful model, reality show host — and huge, giant nerd. You can send in your videos and tell Adrianne how nerdy you are and why you are the biggest super fan, then she shows up at your house and looks at all your nerd stuff.
Lee: Somehow I feel like the conversation is never as interesting when it’s not about me.
Carpinelli: Elvira also launched an interactive web series with us, called Elvira’s Horror Hunt. Amateur filmmakers can send in their horror films. The winner gets flown out to L.A. and gets a screening of their movie with a red carpet premier at the Vista Theatre. The next day, they’ll be a guest at Stan Lee’s Comikaze.
Lee: I hope everyone is taking copious notes. There may be an exam!
Here’s a question from our reader, wdeg: “You’ve had an incredible career and could easily be kicking back on an island somewhere enjoying the fruits of your labor. So, why aren’t you retired? What keeps you getting up motivated every morning?”
“Most
guys say, ‘I can’t wait to retire so I can do what I really want to do’
— play golf and so forth. But I’m already doing what I really want to
do!”
Lee: I wouldn’t dare retire, because when I think of
all the enjoyment that I bring to people out there, I know I couldn’t
deprive them. It wouldn’t be fair for me to not let them enjoy me as
much as humanly possible. Carpinelli: Stan’s a giver.
Lee: That’s right. And I love the fans and want them to know I’m always there for them. See, most guys say, ‘I can’t wait to retire so I can do what I really want to do’ — play golf and so forth. But I’m already doing what I really want to do! Please don’t make me have to spend time on the golf course. That would be like a prison sentence!
This one’s from another Mashable reader and fan of yours, Manny Redruello: “If Twitter and social media had been around during the early stages of your career, how do you think you would have used it then?”
Lee: Well, I didn’t have Twitter, but I had my column and we had letters pages in the comic books, where readers would write letters. You know the reason I wear glasses now? Because I strained my eyes! I read every damn letter and answered as many as I could. I was writing to them and they were writing to me, and it felt like I had a million friends all over. So that was my Twitter in those days.
And I never thought of them as fans — they were friends. Everyone who writes to us and tweets to us now — these are friends of ours, and you’ve got to be good to your friends. You can’t be on the golf course when your friends need you.
Carpinelli: It’s amazing to see how gracious he is to his fans, and how they respond. I’ve seen people cry when they meet him. It’s fantastic.
Lee: You notice when people say nice things like that, I never interrupt? I let her talk and talk. About people crying to meet me, though — I hope that isn’t taken the wrong way.
Carpinelli: They’re tears of joy!
“Everything
changes. Everything advances. To me, most of the changes are
improvements. We can’t live in a way where we say, ‘I like the old stuff
better!’”
A number of readers had questions along these lines: How have
you seen technology change comic books over the past couple decades,
and do you think it’s been good for the industry?Lee: When it comes to stories, no change at all. We could write a good story today that was like an old story — there’s no difference. But some of the comic books have a whole new look now — they look like beautifully illustrated tablets. They look like paintings, rather than just regular comic book drawings, and it’s the addition of the computer coloring and computer lettering.
There are some purists who feel that we ought to go back to the old comics, that they were more like real comics. But everything changes. Everything advances. To me, most of the changes are improvements. We can’t live in a way where we say, ‘I like the old stuff better!’
It’s impossible to go back to yesterday — you have to keep moving along with today and tomorrow. To me, what makes the arts so much fun is that they keep changing with the times….Hey, that was a great speech!
Thumbnail image courtesy Gage Skidmore, Flickr.
10:10 1
vendredi 11 mai 2012
Facebook’s New App Center: Everything You Need to Know
Instead of selling apps that integrate with Facebook, the new App Center will refer users to other app stores where they can buy them.
Confused? You’re not the only one. After Facebook announced the new feature on Wednesday, “I don’t get it” was a common response.
We’ve answered below some of the most common questions about how the App Center will work, what apps it will contain and why Facebook built it. Let us know if you have another question we missed.
So Facebook is going to have an app store now?
Yes, but not in the same sense that Google and Apple have app stores. What Facebook has announced is more of an app showcase. In addition to apps built on Facebook, it includes apps that use Facebook Login, regardless of whether they’re iOS, Android or web apps.
Does that mean I can buy iOS and Android apps on Facebook?
No. Though you will find iOS and Android apps in the App Center, you will be directed to Apple’s App Store or Google Play to actually download the apps.
Facebook announced on Wednesday that it will allow developers to charge for “apps built on Facebook” for the first time, but is not clear whether users will purchase apps directly from the App Center.
What are “apps built on Facebook,” and how are they different than iOS and Android apps that integrate with Facebook?
Apps built on Facebook are web apps viewed and used within the Facebook site. They get a special page within Facebook where they load. On the other hand, apps with Facebook integrations such as Draw Something and Pinterest are built on external platforms, but they interface with Facebook for login and other social features.
Couldn’t I spend money on apps built on Facebook before?
Yes. Previously, Facebook has allowed in-app purchases within these apps, but it has not allowed developers to charge for apps themselves.
Social game maker Zynga, for example, has previously been able to charge for items like blueberries or game advantages within Farmville. Now it will have the option to charge for Farmville itself.
How will I access Facebook’s App Center?
Facebook’s App Center will launch on the web as well as within the iOS and Android Facebook apps.
What will the App Center Look Like?
It will look a lot like Google Play or the Apple App Store. Each app will have a detail page, which includes a five-star user-rating system. A screenshot of the prototype that Facebook engineer Aaron Brady included in a blog post about the center includes sections for recommended apps, friends’ apps, top apps, trending apps and top-grossing apps.
“We use a variety of signals, such as user ratings and engagement, to determine if an app is listed in the App Center,” Brady wrote.
Hasn’t Facebook launched something like this before?
Sort of. When Facebook first launched Facebook apps in 2007, there was a dedicated applications area where users could browse apps from third-party developers. Users currently locate Facebook apps through the same search bar they use to find people, groups and events.
Why would Facebook launch something like this?
As Brady put it in his blog post, “The App Center is designed to grow mobile apps that use Facebook — whether they’re on iOS, Android or the mobile web.”
Facebook wants developers to build mobile apps that integrate it. Reaching Facebook’s 900 million users through the App Center is another incentive for them to do so.
The showcase also encourages makes it easier to discover apps built on Facebook, many of which integrate Facebook’s payment system Credits. All games built on Facebook are required to use Facebook Credits to accept payments (except when they’re running on iOS), and Facebook takes a takes a 30% cut of all purchases made with Facebook Credits. That’s why as of February Zynga accounted for 12% of the social network’s revenue.
Facebook will also presumably take a 30% cut of the purchase price for upcoming paid apps built on Facebook.
12:12 1
samedi 28 avril 2012
How to Maximize Your Facebook Engagement
If you have a Facebook page, you likely know how important it is to get likes and comments. Without those, your EdgeRank
suffers, and your posts are seen by fewer fans in the future. Facebook
has already admitted that the average Facebook page only reaches about
17% of its fans. Since less than 1 to 2% of fans go back to your page,
EdgeRank and newsfeed visibility are critical.
When you get a new fan, you have the opportunity to keep them engaged. If you don’t, they’ll simply stop reading your posts. Here are some of the things you should keep in mind as you determine how best to engage your Facebook customers.
You need to maximize likes and comments to be visible to fans. Part of getting better engagement results is knowing which days of the week your fans are most and least responsive. This is different for every company and industry. Knowing the best day of the week for all Facebook pages won’t help you with your brand. So even if the best overall day is Tuesday, your company’s best day might be Sunday. For example, recent research indicated that the most responsive day for high-fashion brand pages is Wednesday, while the most responsive day for outdoor clothing brand pages is Thursday. Why should brands care? Well, even if you post every day, your greatest focus should go to those days when followers are most responsive. So, if your best day is on the weekend, make sure you have that covered.
It also turns out that the best days of the week to post on Facebook are not always the same days brands create the most posts. Sometimes it’s a Sunday, and maybe no one is working. It appears that the amount a brand posts is not based on their most responsive days, but perhaps just on convenience or coincidence.
When you compare individual companies, you see that the days they do the most posts are not the same days that they get the most likes and comments per post. For example, see the following charts: Here is when Chanel posts the most (average posts per day over 90 days):
Chanel’s fans are most responsive on Saturdays, but it’s their
second-to-least posted on day of the week. Most likely, their social
media person isn’t working that day, and they’re not scheduling posts
for that day. Without realizing it, they’re missing out on a lot of
likes and comments, which of course hurts their Edgerank and lowers
their fan page’s post visibility.
This highlights that you shouldn’t post most when it’s convenient for you, but when your fans are most responsive.
If you want to figure out this data for your page, here are the steps:
If one of your competitors is doing a much better job at getting likes and comments, you might want to follow their lead. It could be, in part, the days of the week they post, and also the type and quality of content.
When you get a new fan, you have the opportunity to keep them engaged. If you don’t, they’ll simply stop reading your posts. Here are some of the things you should keep in mind as you determine how best to engage your Facebook customers.
Which Days are Your Fans Most Responsive?
You need to maximize likes and comments to be visible to fans. Part of getting better engagement results is knowing which days of the week your fans are most and least responsive. This is different for every company and industry. Knowing the best day of the week for all Facebook pages won’t help you with your brand. So even if the best overall day is Tuesday, your company’s best day might be Sunday. For example, recent research indicated that the most responsive day for high-fashion brand pages is Wednesday, while the most responsive day for outdoor clothing brand pages is Thursday. Why should brands care? Well, even if you post every day, your greatest focus should go to those days when followers are most responsive. So, if your best day is on the weekend, make sure you have that covered.
It also turns out that the best days of the week to post on Facebook are not always the same days brands create the most posts. Sometimes it’s a Sunday, and maybe no one is working. It appears that the amount a brand posts is not based on their most responsive days, but perhaps just on convenience or coincidence.
Case Study: Chanel
When you compare individual companies, you see that the days they do the most posts are not the same days that they get the most likes and comments per post. For example, see the following charts: Here is when Chanel posts the most (average posts per day over 90 days):
And here is when their fans are the most responsive (likes + comments per post):
This highlights that you shouldn’t post most when it’s convenient for you, but when your fans are most responsive.
How to Maximize the Most Engaging Days
If you want to figure out this data for your page, here are the steps:
- 1. Go to your Facebook page insights and click on likes.
- 2. Click on export data. Choose post level data, then select at least a two-month range so you have a good sample.
- 3. Save it and open it in Excel.
- 4. There’s not a quick way in Excel to group dates by day of week, but with a bit of manual work, you can find the average lifetime of engaged users per post, per day of the week.
If one of your competitors is doing a much better job at getting likes and comments, you might want to follow their lead. It could be, in part, the days of the week they post, and also the type and quality of content.
10:26 0
5 Tips for Great Content Curation
If you’re a curator looking for some boundaries in what feels like the Wild West, here are five best practices to consider.
1. Be Part of the Content Ecosystem
Be part of the content ecosystem, not just a re-packager of it. Often, people think of themselves as either creators or curators as if these two things are mutually exclusive. What a curator really should do is embrace content as both a maker and an organizer. The most successful curators include sites like The Huffington Post, that embrace the three-legged-stool philosophy of creating some content, inviting visitors to contribute some content, and gathering links and articles from the web. Created, contributed, and collected — the three ‘c’s is a strong content mix that has a measurable impact. Why? Because your visitors don’t want to hunt around the web for related material. Once they find a quality, curated collection, they’ll stay for related offerings.
2. Follow a Schedule
Audiences expect some regularity, and they’ll reward you for it. It doesn’t need to be a schedule that you can’t keep up with. If you want to curate three new links a day, and write one big post a week, that’s a schedule. Make sure to post at the same time each week. This is so readers know when to expect new material from you. Consistency and regularity will also bring you new users, and help you grow a loyal base of members who appreciate your work. A good example of someone who gets why a schedule makes a difference is Jason Hirschhorn via his MediaReDEF newsletter. He never misses a publish date.
3. Embrace Multiple Platforms
It used to be that your audience came to you. Not anymore. Today content consumers get their information on the platform of their choosing. That means you should consider posting short bursts on Tumblr, images on Pinterest, video on YouTube, and community conversations on Facebook. And don’t leave out established sites and publishers. If your audience hangs out on a blog, you may want to offer that publication some guest posts or even a regular column. Essentially, you have to bring your content contributions to wherever your readers may be.
4. Engage and Participate
Having a voice as a curator means more than creating and curating your own work. Make sure you’re giving back by reading others and commenting on their posts. A re-tweet is one of the easiest ways to help build relationships with fellow bloggers and curators. And your followers will appreciate that you’ve pointed them to good content. One word here, I never hit an RT without clicking through to read what I’m recommending. You can also lose followers if you don’t put in the effort to recommend material that you really think merits their attention.
5. Share. Don’t Steal.
Take the time to give attribution, link backs, and credit. The sharing economy works because we’re each sharing our audiences, and providing the value of our endorsements. If you pick up someone’s work and put it on your blog, or mention a fact without crediting the source, you’re not building shared credibility. You’re just abusing someone else’s effort. The important thing to realize is that we’re increasingly living in a world of information overload. So when people choose to listen to you it’s because you’re able to separate signal from noise. You provide a clear, contextually relevant voice within the topic or topics that you create and curate.
10:16 0
lundi 2 avril 2012
4 Facebook Features Marketers Can’t Afford to Ignore
If you have a brand or a business to market chances are you’re using a social media management application to monitor online mentions, schedule updates, and generate reports. But if you really want to be an effective marketer, you need to develop a deeper understanding of which networks are most vital to your company, and what network features are key. In Facebook’s case, we’re talking about some powerful community management components that are unmatched by its competitors, and often overlooked by marketing pros. Here are the four that simply can’t be ignored.
1. Activity Log
Facebook’s activity log is like a Facebook Timeline for every interaction that fans have with your page. It also includes updates you’ve made, like comments or Facebook Questions. What makes this tool unique and powerful is that it offers an archive of your Facebook interactions that you can review at any time. This is useful for tracking how well you’re following up and engaging with fans, and what kind of feedback you’re getting from them during specific events.
2. Demographic Targeting
The manage tab in Facebook Page’s Admin Panel allows you to publish updates to specific demographic groups. The feature isn’t as robust as it should be, but it lets you reach out to people who, for example, speak a certain language. This is useful if your page serves audiences in different countries.
Netflix is a prime example. Due to the nature of its content licensing deals, the site offers different movie and TV-show libraries in the United States than it does in Canada. If the Netflix page administrator wants to announce a new movie that’s only available in one country, he or she can hide that update from fans in the other. Other options include making a post completely invisible to people outside of a certain location, or to people under a certain age.
3.Twitter Linking
Cross-promoting between social networks is a critical component of any social media marketing strategy. Facebook recognizes this, which is why it offers the ability to link your Facebook page to Twitter for the purpose of publishing updates to both sites.
The one caveat is that the implementation here is slanted pretty heavily towards promoting Facebook. This means tweets that originate from your Facebook page always have a link back to Facebook. If that’s not your thing, you can supplement with a third-party tool.
4. Smart Moderation
You probably already know how to moderate individual comments on Facebook, but you can also dive into your Facebook Page’s settings and add specific terms you want to automatically block. While it’s better to allow open conversation on your Facebook page — customers don’t like to be censored — there will be specific situations that call for more control. This tool will give you that.
18:27 0
vendredi 27 janvier 2012
Angry Birds on Facebook Launching Your Way on Valentines Day
Rovio, the studio behind the game, has put out a trailer (above) and dropped lots of little hints that the Angry Birds on Facebook won’t be exactly like its mobile counterparts. Rovio CEO Mikael Hed said the game will have completely new aspects and a more collaborative feel. It’ll also focus more heavily on the hapless pigs.
From the trailer above it looks like the same gameplay that made Angry Birds a viral (and financial) sensation are still the focus: Flinging birds across a screen to knock out pigs and build high scores. This being Facebook, expect social posts and friend challenges to play a role, though Rovio so far has stayed mum on what those “collaborative” features will be.
It may seem like a bad idea to launch a game on Valentine’s Day, but given Angry Birds‘
success, Rovio can pretty much do what it wants. The game — and its
spin-offs — have been downloaded more than 500 million times, prompting
Rovio CMO Peter Vesterbacka to say the company was worth more than $1.2 billion.Angry Birds games have been developed for nearly every major mobile platform or device but this is the first time the game will be coming to a browser on the social network. It’s a move designed to get the game into more hands and more news feeds, but at some point will we just be Angry Bird-ed out?
14:41 0
Can Regular Investors Buy a Piece of Facebook ?
Mashable is not a financial publication, and we’re not in the business of giving stock market tips. But we can break down the IPO process — and gauge the likelihood of a regular investor getting in on the ground floor.
Don’t Get Your Hopes Up
We’ll cut to the chase — unless you’re a close personal friend or relative of a Facebook executive, or you manage an enormous amount of capital, you have almost no chance of getting IPO pricing on a stock like Facebook.
Why? Well, as the Securities and Exchange Commission (SEC) points out, “the underwriters and the company that issues the shares control the IPO process.” The SEC doesn’t regulate how these primary shares are allocated.
In Facebook’s case, the Wall Street Journal reports that Morgan Stanley will likely be the lead underwriter for the IPO, with Goldman Sachs also expected to play a large role.
These investment banks are going to target large customers and institutional investors. The goal is to move shares by the millions, not the hundreds or thousands.
Even if you have an account with Morgan Stanley or Goldman, you’re probably not going to get to make any purchases as an individual — not unless you are a big-time celebrity or business mogul. (Ashton Kutcher, it’s your lucky day.) In most cases, the underwriter will call you and let you know if you can get in on the action.
What Can Average Investors Do?
Aside from buying pre-IPO shares on something like SecondMarket — which, again, has some basic financial requirements that will exclude most individual investors — investors interested in a Facebook IPO have a few options:
- Buy into a mutual fund that invests in IPOs. There are a few of these funds in the market, such as the Global IPO Plus Aftermarket fund from Renaissance Capital. The returns on these funds tends to be flat, however — and with a stock like Facebook, it’s unlikely that this fund will get much of the action.
- Buy on the aftermarket. This is where it can get tricky. Putting in a market order the day a stock opens can be risky. In fact, many retail investors were burned during the dotcom era for moving too fast on IPO stocks that never again exceeded their order price. Placing a limit order or stop market order can help alleviate some of the risk, but it won’t guarantee a buyer a piece of the action.
- Watch from the sidelines. Sometimes it pays to take a step back and watch the market from afar before jumping in. An IPO Facebook could be the next Google — but there’s also a chance it could also be the next Yahoo. Wait and see.
14:29 0
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